Tuesday, February 26, 2008

Wednesday, February 20, 2008

Center for New North Carolinians - Process Work














joris laarman - bone lounge








victoriaandalbert sofa










color exploration



the cube - by leonardo



two interiors by Legoretta + Legeretta
inspiration for saturated colors



lighting possibility





exploratory sketches

"misfits" lounge - massive curvaceous forms inform furniture and formal choices




sketch models

Styles in Graphic Design


Bauhaus
Herbert Bayer's Bauhaus Dessau poster. Simple. Angular. Reductive in color and line, yet employs photograph. New way of seeing and representing things. Balance and harmony rule the composition.


Pop
Atlantis Runner, Peter Max, seriagraph, 1973. Cosmic look. Bold background, pastelle forground. Whimsical feel. Colors in motion. Psychadelic. Playful. Curvilinear contours filled with solid color or small iconographic images (puffy stars and rainbows.)



New Pop



Retro Modern
Nerd Bird, Craig Sheldon, for Threadless. Argyle is cool again! Lively patterns. Simplicity. Playful. Straight-laced fun rather than full-out groovy. High contrast graphics with minimal subtle detail. Studious and cute.


Nostalgia Remix
Cliff's Tattoos, Andrea Vander Kooij, 2004, applique and embroidery on vintage bed linens. Embroidered tats! Flat graphic style composed of contours and fills in a limited palette juxtaposed with organic patterns. Moody. Ironic.

Tuesday, February 19, 2008

IAR 212 - in the subway







The DC Metro - the coffered ceiling is incredibly interesting- so I focused on it and other repeating elements, and then gave the whole thing an updated color palette.

Tuesday, February 12, 2008

IAR 212 - Parallels



Here's a graphic that I produced in imitation of the sony ad, comparing a natural object to a man-made object. Here, I chose two objects that related formally to one another, then I created a convention, the form of a flower, to relate the two together again. I repeated the element spinning in space to add dynamism, and then brought everything to a close with a visual punctuation mark in the form of the small pistachio in the foreground.

Thursday, January 31, 2008

IAR 212- Ads that Work



What I love about this ad is it's sheer simplicity. The black background becomes powerful in relation to most of the other ads and spreads in the magazine. It's also an appripriate choice for an ad about technology - it's sleek and provides high contrast between the text and the playful, brightly colored logos spilling across the page. This contrast only cements the concept of High Definition by bringing each visual element, whether graphic or textual, into a crisp clarity.



This is always my favorite page in my CRAFT magazine, and it's an advertisement! It just makes me happy seeing the smiling girl in her kitchy-crafty, anti-glam house. The method here is perfect for a craft magazine, imitating paper collage in the retro/rockabilly/mod style. There is an enormous amount of texture and pattern here that has been brilliantly balanced mostly through the use of solid white blocks, creating resting places for the eye. The text is as equally creative and loose without looking unplanned or messy.



This DisneyParks ad appeals to my imagination. They've used very sophisticated photography to create the illusion of bringing a storybook character to life. There is a dreamy, supernatural quality to the light in the way they have taken the beams of light and brought them into the foreground. In reality the tree and its branches would probably have been completely backlit. There is slightly sinister mood created here with the juxtoposition of the innocence of Snow White and the baby forest animals and the dark, lush forest that surrounds her, recalling the thread that ties all Disney movies together: the battle between good and evil. The other Disney Parks ads are just as successful at showing this play between dark and light, taking a contemporary look at fantasy that appeals to adults who have grown up with these tales, even more so than their children.